Joss Whedon sarebbe dovuto tornare in trionfo con la sua nuova serie The Nevers disponibile dal prossimo aprile su HBO Max. A novembre dello scorso anno, però, Whedon lascia lo show – a stagione pressoché ultimata – apparentemente per motivi personali. Fin da subito diventa però chiaro che la dinamica del suo ritiro è da attribuirsi all’investigazione interna condotta da Warner a seguito delle reiterate accuse di Ray Fisher secondo cui il comportamento di Whedon sul set di Justice League era stato gross, abusive, unprofessional and completely unacceptable“.

Il 10 febbraio, tramite il suo account Instagram, Charisma Carpenter (Cordelia nel buffyverse) riporta dettagliatamente quella che è stata la sua esperienza con Whedon sul set di Buffy ed Angel. Già negli anni passati l’attrice aveva raccontato qualcosa sul come non avesse respirato un clima salubre sul set dello spin-off di Buffy, in particolare si sentì osteggiata e vittima di atteggiamenti irrispettosi e sabotanti quando annunciò la sua gravidanza allo showrunner.

Successivamente, Charisma Carpenter dichiarò di aver in qualche modo chiarito e accettato la situazione. Grazie ai recenti avvenimenti, e al mutamento culturale che oggi permette, soprattutto alle donne, di farsi avanti e raccontare le proprie storie di abusi, l’attrice ha deciso di tornare su quella che fu la sua vita sul set degli show di Whedon. Carpenter chiarisce ora senza reticenze perché lavorare con l’autore è stata un’esperienza che l’ha segnata profondamente, in negativo, a causa del clima tossico, dell’abuso di potere, e di una serie di crudeltà e manipolazioni di cui l’attrice è stata vittima.

For nearly two decades, I have held my tongue and even made excuses for certain events that traumatize me to this day.

Joss Whedon abused his power on numerous occasions while working on the sets of Buffy the Vampire Slayer and Angel. While he found his misconduct amusing, it only served to intensify my performance anxiety, disempower me, and alienate me from my peers. The disturbing incidents triggered a chronic physical condition from which I still suffer. It is with a beating, heavy heart that I say I coped in isolation and, at times, destructively.

Last summer, when Ray Fisher publicly accused Joss of abusive and unprofessional behavior toward the cast and crew during reshoots on the Justice League set in 2017, it gutted me. Joss has a history of being casually cruel. He has created hostile and toxic work environments since his early career. I know because I experienced it first-hand. Repeatedly.

Like his ongoing, passive-aggressive threats to fire me, which wreaks havoc on a young actor’s self-esteem. And callously calling me ‘fat’ to colleagues when I was four months pregnant, weighing 126 lbs. He was mean and biting, disparaging about others openly, and often played favorites, putting people against one another to compete and vie for his attention and approval.

He called me in for a sit-down meeting to interrogate and berate me regarding a rosary tattoo I got to help me feel more spiritually grounded in an increasingly volatile work climate that affected me physically.

Joss intentionally refused multiple calls form my agents making it impossible to connect with him to tell him the news that I was pregnant. Finally, once Joss was apprised of the situation, he requested a meeting with me. In that closed-door meeting, he asked me if I was ‘going to keep it’ and manipulatively weaponized my womanhood and faith against me. He proceeded to attack my character, mock my religious beliefs, accuse me of sabotaging the show, and then unceremoniously fired me the following season once I gave birth.

At six months pregnant, I was asked to report to work at 1 am after my doctor recommended shortening my work hours. Our to long and physically demanding days and the emotional stress of having to defend my needs as a working pregnant woman, I began to experience Braxton Hicks contractions. It was clear to me that 1 am call was retaliatory.

Back then, I felt powerless and alone. With norther option, I swallowed the mistreatment and carried on. After all, I had a baby on the way, and I was the primary breadwinner of my growing family. Unfortunately, all this was happening during one of the most wonderful time in new motherhood. All that promise and joy sucked right out. And Joss was the vampire.

Despite the harassment, a part of me still sought his validation. I made excuses for his behavior and repressed my own pain. I have even stated publicly at conventions that I’d work with him again. Only recently, after years of therapy and a wake-up call from the Time’s Up movement, do I understand the complexities of this demoralized thinking. It is impossible to understand the psyche without enduring the abuse. Our society and industry vilify the victims and glorify the abusers for their accomplishments. The onus is on the abused with an expectation to accept and adapt to be employable. No accountability on the transgressor who sails on unscathed. Unrepentant. Remorseless.

These memories and more have weighed on my soul like bricks for nearly half of my life. I wish I said something sooner. I wish I had the composure and courage all those years ago. But I muted myself in shame and conditioned silence.

With tears welling, I feel an overwhelming sense of responsibility to Ray and others for remaining private about my experience with Joss and the suffering it has caused me. It is abundantly evident that Joss has persisted in his harmful actions, continuing to create wreckage in his wake. My hope now, by finally coming forward about these experiences, is to create space for the healing of others who I know have experienced similar serialized abused of power.

Recently, I participated in WarnerMedia’s Justice League investigation because I believe Ray to be a person of integrity who is telling the truth. His firing as Cyborg in The Flash was the last straw for me. Although I am not shocked, I am deeply pained by it. It troubles and saddens me that in 2021 professionals STILL have to choose between whistleblowing in the workplace and job security.

It has taken me so long to muster the courage to make this statement publicly. The gravity of it is not lost on me. As a single mother whose family’s livelihood is dependent on my craft, I’m scared. Despite my dear about its impact on my future, I can no longer remain silent. This is overdue and necessary. It is time. 

Charisma Carpenter ha raccolto la solidarietà di Sarah Michelle Gellar che si è detta fiera che il suo nome sia associato a quello di Buffy, ma per nulla contenta che sia associato a quello di Whedon, riservandosi di esprimersi più dettagliatamente in futuro.

A supporto di Charisma Carpenter è intervenuta Amber Benson (Tara in Buffy), che via twitter dice: “Buffy was a toxic environment and it starts at the top Charisma Carpenter is speaking truth and I support her 100%. There was a lot of damage done during that time and many of us are still processing it twenty plus years later

Anche Michelle Trachtenberg (Dawn in Buffy) corrobora il fatto che Whedon avesse creato un ambiente lavorativo tossico e inappropriato, soprattutto per una adolescente. Scrive sul suo account IG:

Thank you @sarahmgellar for saying this. I am brave enough now as a 35 year old woman….To repost this. Because. This must. Be known. As a teenager. With his not appropriate behavior….very.  Not. Appropriate.

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Mara Ricci

Serie tv, Joss Whedon, Jane Austen, Sherlock Holmes, Carl Sagan, BBC: unite i puntini e avrete la mia bio. Autore e redattore per Serialmente, per tenermi in esercizio ho dedicato un blog a The Good Wife.

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